Contemplating Music PDF Download

Contemplating Music PDF
Author: Joseph Kerman
Publisher: Harvard University Press
Size: 52.91 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 256
View: 5328

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"Contemplating Music" is a book for all serious music lovers. Here is the first full-scale of ideas and ideologies in music over the past forty years; a period during which virtually every aspect of music was transformed. With this book, Joesph Kerman establishes the place of music study firmly in the mainstream of modern intellectual history. He treats not only the study of the history of Western art music--with which musicology is tradtionally equated--but also sometimes vexed relations between music history and other fields: music theory and analysis, ethnomusicology, and music criticism. Kerman sees and applauds a change in the study of music towarda critical orientation, As examples, he presents a fascinating vignettes of Bach research in the 1950's and Beethoven studies in the 1960's. He sketched the work of prominent scholars and theorists: Thurston Dart, Charles Rosen, Leonard B. Meyer, Heinrich Schenker, Miltion Babbit, and many others. And he comments on such various subjects as the amazing absorption of Stephen Foster's songs into the cannons of "black" music, the new intensity of Verdi research, controversies about performance on historical instruments, and the merits and demerits of "The New Grove Dictionary of Music and Musicians." "Comtemplating Music" is fulled with wisdom and trenchant commmentary. It will spark controversy among musicologists of all stripes and will give many musicians and amateurs an entirely new perspective on the world of music.

Contemplating Music Substance PDF Download

Contemplating Music  Substance PDF
Author: Carl Dahlhaus
Publisher: Pendragon Press
Size: 36.78 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 392
View: 861

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Vol. 1: Substance ; vol. 2: Import ; vol. 3: Essence ; vol. 4: Community of discourse.

Contemplating Music PDF Download

Contemplating Music PDF
Author: Ruth Katz
Publisher:
Size: 75.27 MB
Format: PDF, ePub, Mobi
Category : Music
Languages : en
Pages : 268
View: 1547

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The first three volumes of Contemplating Music pinpointed the kinds of issues raised in the course of systematic philosophizing about music. Volume IV, Community of Discourse, attempts to bridge philosophical and sociological issues, without presuming to provide a full panorama of the questions raised in sociological inquiries concerning music. The latter, the compilers believe, deserves separate treatment. Rather, throughout Contemplating Music emphasis is placed on opposing intellectual strands, seeking to make clear their relative primacy in different periods and their possible relationships with other ideas. This volume contains the writings of David Hume, Max Weber, J.W.N. Sullivan, Paul Honigsheim, Walter Benjamin, Theodor W. Adorno, W.A. Zhdanov, John H. Mueller, Leonard B. Meyer, Edward A. Lippman, and Stanley Cavell.

Tonal Structures In Early Music PDF Download

Tonal Structures in Early Music PDF
Author: Cristle Collins Judd
Publisher: Taylor & Francis
Size: 58.66 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 402
View: 7147

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The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.

Contemplating Music Import PDF Download

Contemplating Music  Import PDF
Author: Ruth Katz editor
Publisher: Pendragon Press
Size: 60.62 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 797
View: 2823

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Vol. 1: Substance ; vol. 2: Import ; vol. 3: Essence ; vol. 4: Community of discourse.

Music In German Philosophy PDF Download

Music in German Philosophy PDF
Author: Stefan Lorenz Sorgner
Publisher: University of Chicago Press
Size: 21.12 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 265
View: 5273

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Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.

Music Politics And The Academy PDF Download

Music  Politics  and the Academy PDF
Author: Pieter C. van den Toorn
Publisher: Univ of California Press
Size: 37.81 MB
Format: PDF, ePub, Mobi
Category : Biography & Autobiography
Languages : en
Pages : 252
View: 7397

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Advocates of "new musicology" claim that technical methods of music analysis are conservative, elitist, positivist, and emotionally arid. Pieter C. van den Toorn challenges those claims, asking why cultural, sociopolitical, or gender-studies approaches to music should be deemed more democratic or expressive of music's content or impact. Why should music analysis be thought incapable of serving larger aesthetic ends? Van den Toorn confronts Susan McClary, Leo Treitler, and Joseph Kerman in particular, arguing that hands-on music analysis can penetrate the complexity of music and speak to our experience of it. He criticizes new musicologists for retreating from issues of musical immediacy by focusing on cultural issues. In later chapters van den Toorn defends Schenkerian methods and demonstrates the usefulness of technical analysis in the appreciation of Beethoven, Debussy, Schoenberg, and Stravinsky.

Contemplating Shostakovich Life Music And Film PDF Download

Contemplating Shostakovich  Life  Music and Film PDF
Author: Mr Alexander Ivashkin
Publisher: Ashgate Publishing, Ltd.
Size: 56.94 MB
Format: PDF, Mobi
Category : Music
Languages : en
Pages : 314
View: 3143

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Contemplating Shostakovich marks an important new stage in the understanding of Shostakovich and his working environment. Each chapter covers aspects of the composer's output in the context of his life and cultural milieu. The contributions uncover 'outside' stimuli behind Shostakovich's works, allowing the reader to perceive the motivations behind his artistic choices; at the same time, the nature of those choices offers insights into the workings of the larger world – cultural, social, political – that he inhabited. Thus his often ostensibly quirky choices are revealed as responses – by turns sentimental, moving, sardonic and angry – to the particular conditions, with all their absurdities and contradictions, that he had to negotiate. Here we see the composer emerging from the role of tortured loner of older narratives into that of the gregarious and engaged member of his society that, for better and worse, characterized the everyday reality of his life. This invaluable collection offers remarkable new insight, in both depth and range, into the nature of Shostakovich's working circumstances and of his response to them. The collection contains the seeds for a wide range of new directions in the study of Shostakovich's works and the larger contexts of their creation and reception.