Author: James Mathes
Publisher: Prentice Hall
Size: 56.45 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 386
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'The Analysis of Musical Form' emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. James Mathes wrote this book due to a lack of textbooks written in the past dozen years on musical form.The relatively few texts on the market do not address recent scholarship or methodology, do not address phrase rhythm and formal processes in a systematic or thorough manner, and omit discussion of vocal forms and developments in post-tonal music of the 20th century. There is also a lack of emphasis on aural comprehension of musical forms. Separate chapters on vocal forms and 20th-century music, inclusion of recent developments in analytic methodology with suggested readings, and aural exercises.

Author:
Publisher: Greenwood Publishing Group
Size: 51.44 MB
Format: PDF
Category : Music
Languages : en
Pages : 248
View: 6956

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This comprehensive bibliography includes over 2000 entries for book-length works that examine questions of form and analysis in a significant way.

Author: Glenn Spring
Publisher: Waveland Press
Size: 78.55 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 410
View: 495

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Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.

Author: William E. Caplin
Publisher: Oxford University Press
Size: 62.98 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 736
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Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate levels. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven.

Author: A. B. Marx
Publisher: Cambridge University Press
Size: 79.37 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 197
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A selection of the writings of A. B. Marx, one of the most important German music theorists of his time.

Author: François Louis Schauermann
Publisher:
Size: 58.53 MB
Format: PDF, Mobi
Category : Decoration and ornament
Languages : en
Pages : 208
View: 178

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Author: John B. Sandford
Publisher:
Size: 22.91 MB
Format: PDF, Mobi
Category :
Languages : en
Pages :
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Author: Leon Stein
Publisher: Alfred Music
Size: 80.38 MB
Format: PDF, Mobi
Category : Music
Languages : en
Pages : 320
View: 2484

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Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.

Author: Lawrence Michael Zbikowski
Publisher: Oxford University Press on Demand
Size: 52.58 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 360
View: 5018

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The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it."--Jacket.

Author: Eero Tarasti
Publisher: Walter de Gruyter
Size: 28.45 MB
Format: PDF, ePub, Mobi
Category : Literary Collections
Languages : en
Pages : 598
View: 2050

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During the Second International Congress of Musical Signification held at the University of Helsinki in 1988, musicologists, composers, semioticians and philosophers met to discuss problems of musical meaning. LAter on, other scholarly papers were added to this volume to reveal the vigorous progress the new discipline of musical semiotics has undergone during the past twenty years. Thus, "Musical Signification" presents the most complete anthology of semiotics in the current discussion on the semiotics of music.

Author: William E. Caplin
Publisher: Oxford University Press
Size: 61.97 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 320
View: 4084

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Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.

Author:
Publisher:
Size: 49.69 MB
Format: PDF, Docs
Category :
Languages : en
Pages : 317
View: 1925

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