Plato S Laughter PDF Download

Plato s Laughter PDF
Author: Sonja Madeleine Tanner
Publisher: SUNY Press
Size: 66.18 MB
Format: PDF, ePub, Mobi
Category : Philosophy
Languages : en
Pages : 264
View: 7357

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Counters the long-standing, solemn interpretation of Plato’s dialogues with one centered on the philosophical and pedagogical significance of Socrates as a comic figure. Plato was described as a boor and it was said that he never laughed out loud. Yet his dialogues abound with puns, jokes, and humor. Sonja Madeleine Tanner argues that in Plato’s dialogues Socrates plays a comical hero who draws heavily from the tradition of comedy in ancient Greece, but also reforms laughter to be applicable to all persons and truly shaming to none. Socrates introduces a form of self-reflective laughter that encourages, rather than stifles, philosophical inquiry. Laughter in the dialogues—both explicit and implied—suggests a view of human nature as incongruous with ourselves, simultaneously falling short of, and superseding, our own capacities. What emerges is a picture of human nature that bears a striking resemblance to Socrates’ own, laughable depiction, one inspired by Dionysus, but one that remains ultimately intractable. The book analyzes specific instances of laughter and the comical from the Apology, Laches, Charmides, Cratylus, Euthydemus, and the Symposium to support this, and to further elucidate the philosophical consequences of recognizing Plato’s laughter.

Why Plato PDF Download

Why Plato  PDF
Author: Daniela Carpi
Publisher:
Size: 38.68 MB
Format: PDF, ePub, Docs
Category : English literature
Languages : en
Pages : 209
View: 6472

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Laughter Humor And Comedy In Ancient Philosophy PDF Download

Laughter  Humor  and Comedy in Ancient Philosophy PDF
Author: Pierre Destrée
Publisher: Oxford University Press, USA
Size: 50.84 MB
Format: PDF, ePub, Docs
Category : Philosophy
Languages : en
Pages : 304
View: 3010

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"Ancient philosophers were very interested in the themes of laughter, humor and comedy. They theorized about laughter and its causes, moralized about the appropriate uses of humor and what it is appropriate to laugh at, and wrote treaties on comedic composition. Further, they were often merciless in ridiculing their opponents' positions, often borrowing comedic devices and techniques from comic poetry and drama to do so. The volume is organized around three themes that were important for ancient philosophers: the psychology of laughter, the ethical and social norms governing laughter and humor. and the philosophical uses of humor and comedic technique"--

Raymond Carver S Short Fiction In The History Of Black Humor PDF Download

Raymond Carver s Short Fiction in the History of Black Humor PDF
Author: Jingqiong Zhou
Publisher: Peter Lang
Size: 14.45 MB
Format: PDF, ePub, Mobi
Category : Literary Criticism
Languages : en
Pages : 142
View: 6356

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This first book-length study on the black humor in Raymond Carver's work includes valuable interpretations of Carver's aesthetics as well as the psycho-social implications of his short fiction. The presence of an indeterminate «menace» in the oppressive situations of black humor in Carver - as compared to a European tradition of existentialist writing and his American predecessors including Twain, Heller, Barth and others - is mitigated through humor so it is not dominant. As a result, a subtle promise emerges in the characters' lives.

Sudden Glory PDF Download

Sudden Glory PDF
Author: Barry Sanders
Publisher: Beacon Press (MA)
Size: 60.70 MB
Format: PDF, Kindle
Category : Humor
Languages : en
Pages : 328
View: 5622

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Explores the history of laughter, emphasizing the ways in which it has been used as a means of political subversion

Images Of Community PDF Download

Images of Community PDF
Author: John A. Smith
Publisher: Ashgate Pub Limited
Size: 20.44 MB
Format: PDF
Category : Social Science
Languages : en
Pages : 245
View: 3459

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An original sociology of art and artistic practice, based on the theories of Emile Durkheim and contemporary models of complex social systems. The book offers a critique of current history, philosophy and sociology of art and stands in a constructive and informative relation to much contemporary art historical theory.