The Meyerbeer Libretti PDF Download

The Meyerbeer Libretti PDF
Author: Giacomo Meyerbeer
Publisher: Cambridge Scholars Pub
Size: 73.37 MB
Format: PDF
Category : Music
Languages : en
Pages : 222
View: 3484

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Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeerâ (TM)s grands opÃ(c)ras, and his final work. By 1860 long-imposed labor had started to tell upon the composerâ (TM)s health: he knew that he must concentrate on the â oenavigator projectâ which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and CÃ(c)sar-Victor Perrin, the director of the OpÃ(c)ra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph FÃ(c)tis, while the libretto was revised by MÃ(c)lesville. The original title of Lâ (TM)Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. Lâ (TM)Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.

The Meyerbeer Libretti PDF Download

The Meyerbeer Libretti PDF
Author: Richard Arsenty
Publisher: Cambridge Scholars Publishing
Size: 50.76 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 217
View: 3667

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Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The first volume presents Meyerbeer’s first three youthful operas, all of them German Singspiele: the grandiose Biblical drama of Jephthah and his fated daughter (Jephtas Gelübde, 1812), the colourful Arabian Nights tale of the man who becomes caliph for a day (Wirt und Gast, 1813), and a popular celebration of Prussian victory in the War of Liberation (Das Brandenburger Tor, 1814).

The Complete Libretti In Eleven Volumes Giacomo Meyerbeer The Complete Libretti In Eleven Volumes In The Original And In English Translations 7 German Operas 2 Ein Feldlager In Schlesien Vielka PDF Download

 The complete libretti in eleven volumes     Giacomo Meyerbeer  the complete libretti in eleven volumes   in the original and in English translations  7   German operas   2  Ein Feldlager in Schlesien  Vielka PDF
Author: Giacomo Meyerbeer
Publisher: Cambridge Scholars Pub
Size: 79.99 MB
Format: PDF, ePub, Mobi
Category : Music
Languages : en
Pages : 251
View: 5366

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Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The seventh volume presents Meyerbeer's German operas, Ein Feldlager in Schlesien (1844) and Vielka (1847). When the Royal Opera House in Berlin was burned down in 1843, Meyerbeer, in his capacity as Generalmusikdirektor, was asked to write a new opera for the opening of the new house. He secretly asked Eugene Scribe to prepare an effective scenario which was then rendered into German by the Berlin critic and litterateur Ludwig Rellstab. The resulting patriotic Festspiel (festival play) was based on an episode in the life of King Frederick the Great, the great hero of the Prussian state. While on campaign during the Seven Years' War with Austria (1756-63), the king is saved by the ingenuity and self-sacrifice of the retired army captain Saldorf, his niece Therese, his foster son Conrad, and the Gypsy girl Vielka-a role Meyerbeer composed especially for the brilliant Swedish soprano Jenny Lind. The opera has its own very specific mood and character, indeed its own very gentle charm as a Singspiel. The scenario presents three overlapping worlds: the bourgeois domesticity of Saldorf and his family, the Gypsy realm of the alien Vieka, and the militarism associated with Frederick the Great and his kingdom. Each of these spheres is represented musically. The first and third acts participate in the world of the Singspiel and opera comique. The atmosphere is calm and relaxed, the music direct and simple in its appeal. Vielka's music shares in the more elevated genre of the opera seria and grand opera.Meyerbeer's penchant for the grandiose emerges in act 2, the Camp Scene. The story exalts qualities of simplicity, generosity and self-sacrifice. Patriotic or national issues are actually given a secondary place in the scheme of values, with the king becoming the father of the extended family of the nation Two years later, Ein Feldlager was revised for production in Vienna as Vielka. The Prussian origins and emphasis of the story were hidden: King Frederick the Great was now tranmuted into a duke. The first and second acts were hardly altered, but the third was completely reconstituted, with a tragic denouement. The opening night on 18 February 1847 at the Theater an der Wien was another triumph for Meyerbeer and Jenny Lind.